I start my new class at St. Mike’s, U of T, on January 5th. Looking forward to talking Irish drama. Below is the final course description, and syllabus:
Description of Course:
Irish drama over the last century has rarely been staged without equal or greater drama occurring off-stage. From the Abbey Theatre movement on the eve of the push for independence through to Field Day, founded at the nadir of the recent Troubles, Irish dramatists have negotiated the complexities of a society in upheaval. Of late, younger playwrights have felt liberated enough to begin addressing concerns and issues left too long in shadow. Beginning with the foundational The Playboy of the Western World by J.M. Synge and Sean O’Casey’s blistering The Plough and the Stars, this course will consider the deliberate step outward of Samuel Beckett’s Waiting for Godot, and then the equally deliberate step inward of Brian Friel’s Translations, before examining the exuberantly dark and liberated theatre of Marina Carr’s By the Bog of Cats and Martin McDonagh’s The Lieutenant of Inishmore. The stage will be alive and humming with the pressures of Irish politics, the exigencies of Irish history and society, the glories of Hiberno-English, and the mischief of Irish mythmaking/myth-debunking.
The Playboy of the Western World, J.M. Synge
The Plough and the Stars, Sean O’Casey
Waiting for Godot, Samuel Beckett
Translations, Brian Friel
By the Bog of Cats, Marina Carr
The Lieutenant of Inishmore, Martin McDonagh
–Here is the link to a piece about Planet Lolita and contagions from today’s National Post. I was pleased to talk about this aspect of the novel, and will be happy to talk more about it at the IFOA tonight.
–Maclean’s offered me a chance to sit with M.G. Vassanji and discuss his new book, And Home was Kariakoo. The interview, and the piece, can be viewed and read at: http://www.macleans.ca/culture/books/m-g-vassanji-travels-back-to-tanzania/
–My interview with Shelagh Rogers on CBC’s The Next Chapter went to air on Monday, September 29th, and was repeated on October 4th at 4pm. You can hear it anytime at: http://www.cbc.ca/thenextchapter/
During the interview Shelagh described Planet Lolita as “a riveting 21st century coming of age story” that was “hugely rich, multi-layered.” “I devoured this book,” she said at the end.
Later in October I’ll be first in Whistler, for their festival, and then in Vancouver. As well as interviewing New Yorker author Evan Osnos on stage about his book on China, I’m involved in two terrific events at the Vancouver festival. Here are the listings and links:
China: The Challenge of Democracy, Tues, Oct 21, 6pm
[note: originally, this event involved my interviewing Evan Osnos. As he had to withdraw, the festival decided to recast the night to engage both Osno’s book, and the unfolding drama in Hong Kong. I will be joined on-stage for a discussion with Madeleine Thien and Dr. Paul Evans.
My Way, Tues, Oct 21, 8:30 PM, Waterfront Theatre
The Way We Live Now, Sat, Oct 25, 10:30-12 noon, Studio 1398
Finally, I am delighted, as ever, to participate in the IFOA at the end of the month. Here are the listings:
October 29 2014 – 7:30 PM
Some of today’s top writers explore society’s obsession with contagion and mass infection, and discuss writing them into their fiction.
November 1 2014 – 5:00 PM
Thoughts on Planet Lolita:
My friend, the critic, author and scholar B.W. Powe, read Planet Lolita, and offered these insightful words.
“Charles Foran’s new novel speaks through–and to–the global google facebook twitter email blackberry experience, in a way that is daring and constantly surprising. His ear for ibrain talk is uncannily attuned. And he catches young angst in the culture of the selfie with an originality at times deeply funny, at others deeply dislocating. I admire Foran’s books; and here he breaks out into other voices entirely, coming up with a work that is at once a lightning rod and a seismograph. The segue world he invokes, where images and pornography somehow mingle and even merge, makes Planet Lolita strange, and necessary.”
Also, professor and critic Charmaine Eddy offered some intriguing ideas about the novel on the Indigo.ca website. Here are Professor Eddy’s thoughts:
“I gave myself the gift of reading Charles Foran’s Planet Lolita on Canada Day. I have been a fan of Foran’s fiction for a number of years, and I have considered House on Fire his best, a novel that has affinities with those of Haruki Murakami, in its disturbing examination of global politics in part through the mechanism of alternate realities. Planet Lolita may have usurped House on Fire as my new favourite Foran novel. As the title’s allusion to Nabokov’s Lolita suggests, Foran examines disturbing aspects of masculine desire. He explores the world of child prostitution, and links these egregious human abuses, daringly and persuasively, to the way that communication on social media sites tends to objectify and eroticize young women. The fluid narrative voice enters convincingly into the world of a young teenage “half-half,” Xi-xi, whose sense of ethics and courage, though originating in the fantasy of manga, compels her to want to help the young girls she unexpectedly encounters. Abandoned emotionally by her parents, Xi-xi is entering into her own sexuality, and, despairingly, has the fate of these girls and Internet pornography as her sexual models. The recurring motif of Xi-xi’s father mistaking one half-Asian girl for another only makes it clear that there is no difference on Planet Lolita between the good middle-class girls and those who are bartered into sexual slavery. Alternate worlds exist in this novel as well, but Foran makes it difficult to determine where reality actually lies. Is the middle-class protected world the “real” or does its avoidance of contact with a more gritty reality that exists in the slums or on the streets mean that it is a cloistered fantasy world? Do we have our most immediate relationships with those we live with, or has Internet accessibility altered our emotional reality? And what is the relationship between the fictive and the real? Sailor Moon may be a fantasy, but it compels Xi-xi to political activism in the real, which her parents ignore. And finally, we have Foran’s version of Melville’s Father Mapple or Faulkner’s Reverend Shegog. Foran’s sermonizer is a transformed sexual predator, who preaches his conversion as a stunning tour de force at the end of the novel. Compelling, gut-wrenching, fabulous. You have to read it.”
Sunshine Coast Festival of the Written Arts, August 14-17, Sechelt, BC
Toronto Public Library, Runnymede Branch, September 18, 7 PM
Kingston Writers Fest, September 24-28, Kingston, ON
Whistler Writers Fest, October 17-19, Whistler, BC
Vancouver International Writers Festival, October 21-26, Vancouver, BC
Toronto International Festival of Authors, October 23-November 2, Toronto, ON
Windsor Writers Festival, October 25, Windsor, ON
Ridgeway Reads Fall Reading Series, November 21, Ridgeway, ON
Starting in January, 2015, I will be teaching a new course on Irish theatre for Celtic Studies at St. Mike’s, University of Toronto. Below is a course description, along with the primary texts.
Irish drama over the last century has rarely been staged without equal or greater drama occurring immediately off-stage. From the Abbey Theatre movement on the eve of the push for nationhood through to Field Day, founded at the nadir of the Troubles, Irish dramatists have negotiated the complexities of a society in seemingly permanent upheaval. More recently, younger playwrights have felt liberated enough to begin addressing concerns and issues too long left in shadow. Beginning with the foundational The Playboy of the Western World by J.M. Synge and Sean O’Casey’s blistering The Plough and the Stars, this course will consider the deliberate push outwards of Samuel Beckett’s Waiting for Godot, and then the equally deliberate push backwards of Brian Friel’s Translations, before examining the exuberantly dark and liberated theatre of Marina Carr’s By the Bog of Cats and Martin McDonagh’s The Lieutenant of Inishmore. The stage will be alive and humming with the pressures of Irish politics, the exigencies of Irish history and society, the glories of Hiberno-English, and the mischief of Irish myth-making, myth-debunking.
In the current issue of one of my favorite publications, Queen’s Quarterly, is an essay I wrote on the mural culture in Belfast. The piece, based on a visit I made to the city this past May, also features photos of those famous murals, taken by the author, and his black cab driver, on their cell phones. Here is the link:
Plenty of events coming up. In Toronto, I’ll be reading from, and talking about, Planet Lolita at the Runnymede Library on Thursday the 18th. A couple of weeks later I am at the Kingston festival, first to interview Eleanor Catton, and then to share the stage with Kate Pullinger. Here is a description of the Sept 26th event: “Social media features in Charles Foran’s Planet Lolita (there is a QR code on the back of the book that readers can scan with their mobile devices to learn more) and Kate Pullinger’s Landing Gear (a digital collaboration online). These award winners read from their books and talk about the extent to which contemporary technologies permeate our lives and shape our tastes and identities. They discuss complementarity or antagonism between digital and traditional fiction, how their decision to incorporate digital material has molded their stories, and whether the internet has altered what readers expect from novels.” As well, Dan Wells is celebrating the 10th anniversary of his wonderful publishing house, Biblioasis, at Harbourfront on Sept 24th. Dan asked me to host the night, which I’ll do with pleasure.
A piece I did on the challenges of writing a novel immersed in social media ran in the online edition of the National Post. Here is the link. You can also find ‘Publishing Planet Lolita’ on this website, under Essays.
This week marks the 25th anniversary of the 1989 democracy movement in Beijing. More precisely, it is the anniversary of June 4th, the tragic culmination of an astonishing period in recent Chinese history. Though I vowed more-than-once to quit publishing pieces on the anniversaries – I did so on the 20th, 10th, and 5th, for sure – the quarter-century mark is too important to let pass. As well, I want to explore the resonances of spring 1989 from a very 21st century perspective; namely, how China has managed post-Tiananmen to delink a market economy from the liberal institutions associated with civil society. Once, the two were believed inseparable. The piece appeared in the May 31st edition of the Globe and Mail. It is posted as well in Essays.
May 27th marks the official pub date for Planet Lolita. It also marks my debut on twitter, both as myself and, from time to time, in the voice of Xixi Kwok, my intrepid teenage narrator. (Click on above to explore the QR code for her.) Reviews, media, a piece about writing the novel, to follow in the next few weeks. A schedule of appearances is still forming, but below are some confirmed dates, with links to the respective websites.
Publication date for Planet Lolita isn’t far off. The novel will have a strong digital dimension, in keeping with its decidedly 21st century nature. One example: a QR code on the back cover, allowing potential readers to learn more about the book by scanning it with their mobile devices. The initial contents of the QR code, ‘Who is Xixi Kwok?,’ a descripto-graphic with story information and focusing on the main character, can be viewed on the tab above. MUCH more about the world of Xixi Kwok, and the novel on-line, to come. As well, I will post a list of upcoming appearances in the summer and fall.
My profile of author Joseph Boyden appears in the April issue of The Walrus. You can read the piece on this website, or else check it out, complete with photos of Boyden, at The Walrus: http://thewalrus.ca/revision-quest/
On May 20th, HarperCollins Canada is publishing my new novel. Here is a brief description:
An electrifying novel about a chance encounter that changes everything for a girl.
On the remote Hong Kong beach where they are camping, bickering parents and their lonely teenage daughter awaken at sunrise to a strange sight: a dozen women suddenly on the shore. They seem to have washed in from the sea. Fifteen-year-old Sarah, known as Xixi, tries befriending them, and she snaps a cell phone image of a beautiful young woman she calls Mary. Soon after, Xixi, believing she has a connection with Mary, posts the photo on Facebook, triggering an online narrative she can neither comprehend nor control. Meanwhile, Jacob and Leah, distracted by their failing marriage, must also deal with the fury of an absent older daughter, Rachel, and a looming new SARS epidemic in Hong Kong. As fear and paranoia settle over the city, isolated Xixi grows more desperate to save Mary from her doomed circumstances. She dares herself to be brave, and take a risk, but her actions are perilous.
Told in the voice of a bi-racial, “half-half” girl and the language of social media, Planet Lolita is a riveting novel of desires and consequences in our unfolding digital age.
Starting in early January, I am once again teaching the contemporary Irish novel for the Celtic Studies program, St Mike’s, U of T. A few of the texts are new, as is the course description:
Though it yet dwells in his long shadow, the Irish novel since James Joyce has continued to evolve. Beginning with the surreal, formally innovative The Third Policeman and ending with the outrageous City of Bohane, this course examines Irish fiction since, in effect, Finnegans Waketested the limits of literary modernism. Authors include Flann O’Brien, Samuel Beckett, Molly Keane, Patrick McCabe, Anne Enright, and Kevin Barry.
The Third Policeman, Flann O’Brien
Company, Samuel Beckett
Good Behavior, Molly Keane
The Butcher Boy, Patrick McCabe
The Gathering, Anne Enright
City of Bohane, Kevin Barry
The New Brick Reader, offering some of the best writing from that esteemed literary journal, was published in early December by House of Anansi. Among its contents is ‘The Here and Now,’ part of my discarded preface to Mordecai: The Life and Times. Both halves of the preface are available on this website.
Last fall, another fine journal, the Literary Review of Canada, asked me to write about the essay collection The Edge of the Precipice: Why Read Literature in the Digital Age. My essay about the state and fate of analog literary forms is now also posted in, appropriately, the Essays section of Writings.
ARCHIVAL EVENTS AND NEWS
I am teaching again this fall at St. Mike’s, U of T. The course, SMC376, is titled ‘Irish-Canadian Writing.’ Here is a brief description: An exploration of Irish-Canadian writing must start with a simple question: does such a category truly exist? If so, how does having an Irish background, even a recessed one, inflect and shape a Canadian writer’s sensibility, including how he or she responds and relates to Empire? Using the work of Jane Urquhart, Peter Behrens, Brian Moore, Jack Hodgins, and James Reaney, the course examines the nature and uses of cultural and political inheritances.
A piece I wrote for the Globe and Mail on the Ai Weiwei show at the AGO in Toronto can be found in the recent readings section of this website. For any who attend the show, I also provide some of the audio, discussing both his life and career in general and particular pieces. Finally, I am giving a brief ‘pop up’ talk at the First Thursdays event at the AGO on September 5th.
(Below is a photo of myself and Ai Weiwei, taken at the Oct 2nd AGO event. Okay, only one of us was actually present.)
Paula Simons’ excellent IDEAS documentary “The Intermittently True Adventures of Moishe”Two-Gun” Cohen” airs on CBC radio in early September. I contributed some thoughts on Cohen’s amazing life, all of them the truth.
Sept 5: talk at First Thursday, AGO, Toronto
Oct 2: brief talk as part of Ai Weiwei: Voices of Freedom, AGO, Toronto
Oct 10: Priestley Lecture: ‘Telling Lives: The Fine Lines of Literary Biography,’ University of Lethbridge, Lethbridge, Alberta
Oct 15: talk, Storyfest, Hudson, PQ
Oct 17: reading, Morris House, Bishop’s University, Sherbrooke, PQ
Nov 13: on-stage interview with Jung Chang on her book Empress Dowager Cixi, Toronto Reference Library, Toronto
June: Named a finalist for 2013 Premier’s Awards for Excellent in the Arts.
Ireland Fund of Canada Writer in Residence: from Feb 25 to March 16, I will be Writer-in-Residence at Celtic Studies, St. Michael’s College, University of Toronto. Along with public events and class visits, I will be available during this period to meet with U of T students, and friends of the program, and discuss their creative work. Visit the Celtic Studies website for more information.
February 28: St. Michael’s College, U of T, Toronto, talk and reading
March 14: St. Michael’s College, U of T, Toronto, lecture: ‘Scaring Himself Silent: Reconsidering Flann O’Brien’s The Third Policeman’
April 11: Quebec City, ImagiNation Writers Festival, reading
April 25: Metro Toronto Reference Library, Toronto, on-stage conversation about PEN and censorship, with John Ralston Saul
April 27: Atwater Library, Montreal, QWF workshop: ‘I’m Not Kidding: the Art, and Artifice, of Biography’
May 7: National Gallery, Ottawa, The Walrus debate
June 2″ Alumni Lecture, St. Michael’s, U of T, ‘Riding the Rocket: Maurice Richard and the Rise of Quebec’
June 15: talk on PEN, CAA Conference, Orillia
June 22: A Literary Picnic, Luminato Festival, Toronto
In the last 2 years I’ve done many print interviews about Mordecai Richler, Maurice Richard, and other happy subjects. Two of the more unusual were the mischievous ‘The Laferriere Questionnaire‘ for the CBC in November 2011 and a conversation this past spring about urban spaces for the on-line magazine Guerilla. Below is the Laferriere Questionnaire, in full.
1. If you were Alice, would you rather stay in Wonderland on the other side of the mirror, or come back to the real world to tell your story?
I’d come back. Stories, for storytellers, are all in the telling.
2. If your home were on fire, what prized keepsake would you grab on your way out?
Once everyone was safe, I wouldn’t care much. As long, that is, as I’d backed up all my files. Otherwise, I’d be saving the computer.
3. What childhood fear do you still have as an adult?
Closets, cells, any small, windowless room. Feared them then, fear them now. I doubt I’ll like being in a casket either.
4. Would it be okay to have a miserable childhood if that were a prerequisite for becoming a writer?
Childhood forms the adult. It’s involuntary and permanent, and you never, ever get over it. What kind of exchange is that – a miserable childhood for something to write about? A terrible one, in my view.
5. Do you wake up at night to read or write?
Only to read, and only because I can’t sleep. Not sure I’ve written a single nocturnal sentence in my life. Mornings are when I light up.
6. Do you feel anxious or excited when you start to write?
I feel relieved, purposeful, and alert.
7. Does darkness soothe you or frighten you?
Mostly, it is just darkness: near half our days, near half our natures. On occasion, though, it gets all existential – lonely, solitary, lost. Then I battle those feelings.
8. Do you tend to hang on to a thousand little scraps of paper, or do you regularly clean out your drawers?
Scraps of paper, sadly, are my inept ‘filing system,’ my lame ‘diary,’ my woeful ‘archive.’ Luckily, my head self-organizes pretty well, so I get by.
9. Which animal would you rather be: a cat or a dog?
Dogs smile easily and trust instinctively, and have natural happy feet. They walk upon this earth with just the right step.
10. Does love dry up your creative juices or make them flow faster?
Romantic love doesn’t enter much into it. (Remember: I don’t write at night.) Love of virtually everything else, cosmic and banal, eternal and fleeting, is my daily fuel. Love, and empathy, a desire, I suppose, to wrap my arms around ‘it,’ before it – or, rather, me – is gone.
11. Do you remember your dreams?
Only rarely. When I do, I take careful note. If a dream sticks around past my making coffee, it is probably a psychic flag, most likely red.
12. What’s your favourite colour?
No preference, especially not red.
13. What’s your favourite season?
Spring, summer, fall. Winter is the only problem. I know: I’m Canadian; how can I not have fallen for its bracing charms?
14. Does pressure motivate you?
As a painter friend likes to say: I don’t need an alarm clock – I have my career to wake me up every morning.
15. Would you rather live to write or write to live?
Not a choice. Two types of people: those who want to write, and those who need to write. Those who ‘want’ to will almost certainly live happy, rich lives doing something else. Those that ‘need’ to, well, they are going to live to write and, slowly, surely, the writing will kill them. (Or maybe it will be the life, which has it in for all of us, equally.)
16. What published book do you secretly wish you had written?
Martin Amis’s Money, if only I’d been born smarter, funnier, tougher, and more daring. Oh yes, and wicked with talent.
17. Are you the paranoid type or calm, cool and collected?
My sister once worked in a bank in suburban Toronto, and was held hostage for several hours by an inept, troubled robber. A local TV station covered the incident ‘live,’ and I remember my father falling asleep on the couch while waiting to find out what would befall his only daughter. That degree of calm runs through my veins.
18. What would qualify as the afternoon of your dreams?
A great lunch with my wife and daughters, a nap, a matinee of a smart, funny film, and then drinks with friends in a quiet bar.
19. Are you more like the sun or the moon?
Oddly, even though I burn, rather than tan, and suffer heat stroke after about an hour – I am too Irish, too freckled, and don’t wear hats – I love the sun, love the heat, love the tropics. Southeast Asia, where we lived for years, suited me well – except when I had to sit in a dark, air-conditioned room for days, on account of my love.
20. Do you hear voices?
I know a fiction project is going well when my characters talk incessantly – to each other, to me, to themselves. Sometimes they keep talking long after the novel is finished. Once, I finally had to promise them a sequel in order to get them to vacate my head. (I lied.) Does this describe a writer’s nature, or a psychological disorder? You decide: I can’t.
Recognition for Mordecai “probably the single most awarded book of any genre in the history of Canadian literature. ” (The Globe and Mail, November 15, 2011)
Winner, 2011 Governor General’s Literary Award for Non-Fiction
Jury citation: Mordecai: The Life & Times by Charles Foran is biography as high art, illuminating not only the character of Canada’s most provocative writer, but also, in the most vivid and compelling fashion, the times and places in which he lived. This is a grand, sweeping work that sets the standard for future literary biography.
Winner, 2011 Hilary Weston Writer’s Trust for Literary Non-Fiction
Jury citation: Charles Foran’s biography Mordecai is an epic work of scholarship and energy, capturing the career and life of the Montreal writer Mordecai Richler with a majesty that doesn’t betray the wit and sincerity of Canada’s most famous literary contrarian. Mordecai delivers an authentic portrait of a writer who could be both tragic and gut-bustingly funny in the same sentence. It’s a big book, inclusive, intelligent, and sometimes sad, framing the era, the communities, and the life of a man who could be mordant and comic, yet laced with the underlying perfume of tragedy. Charles Foran never wears his research on his sleeve, easing it near-invisibly into the web of this great life. Mordecai is well written, exciting to read, even-handed, and magisterial.
Winner, 2011 Canadian Jewish Book Award
Jury citation: A decade after his death at 70, Mordecai Richler has found the biographer he deserves. The jury declared that Charles Foran has written the definitive biography – generous, thoroughly researched, psychologically nuanced, highly readable. They lauded him for uncovering the demons that drove Richler to create. Foran shows how the novelist’s gritty early life in working-class Jewish Montreal and his experience as a child born of a poisoned marriage shaped his prickly personality, which remained unchanged throughout his life. Foran skillfully contrasts Richler, the tender father and husband, with the hard-drinking Richler who made people angry and uncomfortable. He reveals Richler as deeply moral, using his sharp wit to expose snobbery, hypocrisy, inauthenticity, lies, anti-Semitism, and cant of all kinds.
Winner, 2011 Charles Taylor Prize for Literary Non-Fiction
Jury citation: MORDECAI: THE LIFE AND TIMES meets the immense challenge of writing about one of Canada’s most talented and controversial authors. Charles Foran has created a rich and compelling portrait of the man and his times.
Finalist, 2011, BC National Award for Canadian Non-Fiction
Finalist, 2011 CBA Libris Award Non-Fiction Book of the Year